'The backstop in the rye whisky can be strongly considered as wizard of the great romances of every(prenominal) meter and H quondam(a)en Caufield distinguishes himself as one of the greatest and more or less diverse quotations. His honorable system and his sniff out(a) of justice pluck him to detect affright flaws in the family in which he lives. and, this is non his principle encumbrance. His principle difficulty is non that he is a rebel, or a coward, nor that he hates society, it is that he has had many an(prenominal) experiences and he remembers tout ensemble(prenominal)thing. Salinger indicates this with Holdens confusion of beat passim the novel. Experiences at Whooten, Pency, and Elkton Hills combine and no levels of time snap off them. This causes Holden to end the novel missing everyone and every experience. He remembers all the good and bad, until distinctions amid the two disappear. Holden believes throughout the novel that veritable things shou ld stay the same. Holden becomes a character envisioned by Salinger that disagrees with things changing. He indispensabilitys to retain everything, in short he wants everything to unceasingly persist in the same, and when changes occur; Holden reacts. However the most in-chief(postnominal) aspect of Holden Caufields character can be attributed to his judgment of race. Holden Caufield, a character who always jumps to conclusions about people and their phoniness, can be labeled as a role player because he exemplifies a phony himself.\n\nHolden Caufield the 16 year old protagonist and briny character of The backstop in the rye whiskey narrates the story and explains all the events throughout leash influential geezerhood of\n\nhis life. A prep school student who has just been kicked out of his second school, Holden struggles to come about the right way of life into maturehood. He does not know what channel to follow and he uses others as the scapegoat for his puzzlement in life. Harold Bloom explains,\n\nHis aboriginal dilemma is that he wants to retain a childs innocence., but because of biota he essential move every into adulthood or madness. As a sort of agree Holden imagines himself as the catcher in the rye, a protector of childishness innocence lighten from movement into adulthood, which is uncomplete possible nor sane. (Blooms Notes 22)\n\n thus far Gerald Rosen states that, It is important to agate line here that Holdens rejection of an adult role is not a geek of sour grapes. He believes he pass on succeed and it is the successful...If you want to get a full essay, coordinate it on our website:
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